Can constructed their music largely through free improvisation and editing, which bassist Holger Czukay referred to as "instant compositions". They had only occasional commercial success, with singles such as "Spoon" and "I Want More" reaching national singles charts. However, through albums such as Tago Mago (1971) and Ege Bamyasi (1972), the band exerted a considerable influence on avant-garde, experimental, underground, ambient, new wave and electronic music.
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